Talking about what you see.
Start three with soft air and trees with a clean t.
Your task
Tell a teammate today’s plan.
We'll review the first draft today and send the final version tomorrow.
Say it before you hear the model.
Record yourself
Your recording is sent only for this check and discarded afterwards.
One sound can turn “three” into “tree”. Each sentence puts two similar sounds side by side.
Talking about what you see.
Start three with soft air and trees with a clean t.
Choosing what to wear.
For v, touch your top teeth to your lower lip. For w, just round your lips.
Moving equipment.
Same lip position for both words; switch your voice on for van.
Correcting an order.
Both start at the back of the mouth. Add a small puff of air for coat; use your voice for goat.
Describing a picture.
Keep ship short and relaxed; make the vowel in sheep longer.
Make the word that carries the news the strongest one in the sentence.
Checking a departure time.
Give six the strongest beat — it is the new fact.
Correcting a booking.
Stress two — you are correcting the number.
Choosing a bag.
Make blue the strongest word — the colour is what matters.
Saying who called.
Make Maya the strongest word: the listener needs to know who.
Giving an instruction.
Stress table: the place is what matters most.
Every longer word has one main beat. On the wrong syllable, a familiar word can sound unfamiliar.
Asking a colleague.
Find the beat in each word: re-VIEW, re-PORT, MON-day.
Giving directions.
The beat is not on the first syllable: ho-TEL, mu-SE-um.
Asking for a favour.
As a verb it is re-CORD. As a noun — a record — the beat moves to REC-ord.
Talking about a photo.
The beat moves inside the word family: pho-TOG-ra-pher but PHO-to-graph.
When you correct or compare something, the difference gets the beat.
Correcting an order.
Make blue the strongest word: the colour is the contrast.
Confirming a deadline.
Let Friday carry the new information.
Saying whose laptop it is.
Stress my: who owns the laptop is the contrast.
Explaining a delivery.
Let front desk stand out as the destination.
Join a final consonant to the next vowel, but keep the ending you need.
Asking for help.
Link pick it up into one phrase: each final consonant runs into the next vowel.
Giving a reminder.
Link turn it off instead of pausing after each word.
Asking for an answer.
Join need an answer smoothly without speeding up the whole sentence.
Confirming a schedule.
Keep the endings in starts and next, then say the phrase smoothly.
Asking for a resend.
Keep send it again together as one phrase.
Arranging a meeting.
Join meet at eight smoothly without swallowing the words.
The same words can check, offer, ask or show surprise. Your voice decides which.
Making a polite request.
A fall-rise on today makes the request softer.
Checking a plan.
A rise at the end turns the statement into a check.
Offering a choice.
Rise on tea and fall on coffee to offer a choice between two.
Asking for information.
A gentle fall suits a neutral question with “where”.
Showing surprise.
A wide rise on already shows surprise.
Let familiar phrases flow while every important word stays clear.
Explaining a missed call.
Keep would have called together and let “have” go light.
Making a neutral request.
Let could you send it over flow as one phrase without sounding casual.
Challenging a decision.
Let familiar groups like going to connect, without forcing slang.
Making a formal request.
In a formal request, join the natural boundaries but keep every word clear.
Summarising a report.
Keep every syllable of the long words: pre-LIM-i-nar-y, rec-om-men-DA-tions.
Most learners practise sounds and stop there. Listeners also rely on beats, linking and the voice. One sentence, six skills:
We'llreviewuːtheðfirstɜːdraftætodayandsendtheðfinalversiontomorrow.
The long “oo” in review, the soft th in the, the vowel in first and the short “a” in draft.
One changed sound can change the word: three becomes tree, sheep becomes ship. Start here if listeners mishear single words.
From elementary
Minimal pairs practiceWe'llre·VIEWthefirstdraftto·DAYandsendtheFI·nalVER·sionto·MOR·row.
re-VIEW, to-DAY, FI-nal, VER-sion, to-MOR-row.
Every word with two or more syllables has one main beat: re-VIEW, to-MOR-row. The wrong beat can make a word you know hard to recognise.
From intermediate
Word stress guideWe'llreviewthefirstdrafttodayandsendthefinalversiontomorrow.
“today” and “tomorrow” carry the most weight, while “we’ll”, “the” and “and” stay light.
Content words — nouns, main verbs, numbers — are strong. Small words like the, and and to are short. That strong–weak pattern is the rhythm of English.
Every level
Sentence stress practiceWe'llreviewthefirs(t)draf(t)todayənsen(d)thefinalversiontomorrow.
firs(t) draf(t) today, “and” said as ən, sen(d) the final version.
Words link, weaken and lose sounds: firs(t) draft, sen(d) the, and said as “ən”. It is why you can know every word and still miss them at natural speed.
From intermediate
Connected speech practiceWe'llreviewthefirstdrafttoday↗andsendthefinalversiontomorrow.↘
A rise on “today” says there is more to come; a fall on “tomorrow” says the plan is complete.
Pitch shows meaning: a rise on today says “there is more”, a fall on tomorrow says “finished”. It also carries attitude — certainty, doubt or politeness.
Advanced focus
Intonation practiceWe’ll review the first draft today
pause
and send the final version tomorrow.
Two ideas: pause once between them, and give each one main word.
Fluent speakers group words into ideas, pause between the groups and give each group one main focus. It makes longer speech easy to follow.
Advanced focus
Thought groups guideMistake
What listeners hear
“three” sounds like “tree” or “free”, and “think” like “sink”.
Mistake
What listeners hear
“booked” sounds like “book-id”, and “asked” like “ask-id”.
Fix
After p, k, s, sh, ch and f, -ed is just a quiet t: “bookt”, “askt”. Only after t or d is it “-id”.
Pronunciation guidesMistake
What listeners hear
A flat list of words with no clear key information.
Fix
Lean on nouns, numbers and main verbs; say small words like “the” and “for” quickly.
Sentence stress practiceMistake
What listeners hear
“hotel” as HO-tel, “develop” as DE-ve-lop — familiar words that are hard to recognise.
Mistake
What listeners hear
“months” sounds like “mons”, and “asked” like “ask”.
Fix
Finish the ending, then link it to the next word when that word starts with a vowel.
Linking sounds guideMistake
What listeners hear
Choppy, slow speech that is tiring to follow.
Mistake
What listeners hear
Bored, unsure or impolite — even with exactly the right words.
Mistake
What listeners hear
Careful, robotic speech, with “can” as “kæn” and “to” as “too” everywhere.
Fix
Use weak forms when the word is not stressed: “can” as kən, “to” as tə, “have” as əv.
Weak forms guideMistake
What listeners hear
Ideas break apart, and the main point gets lost.
Fix
Pause between thought groups, never inside one, and give each group one main word.
Thought groups guideUse a short loop, about ten minutes a day:
Yes. There is no account and no payment. Your recording is used only to check that attempt and is deleted after the check.
Not completely. Each practice sentence is built to test two specific points, and the check looks only at those. When the evidence is unclear, the page asks you to compare with the model yourself instead of guessing. For a fuller picture, practise several sentences at different levels, or work with a teacher.
A General American voice. British, Australian and many other accents are just as correct. Aim to be clear and easy to understand, not to copy one accent.
No. Everyone has an accent. The goal is to be understood without effort: listeners should catch your words, your main point and your intention. The six skills on this page are the ones that affect that most.
Both, in that order. Fix a sound or a word’s stress on its own, then put the word straight back into a sentence. Stress, linking and intonation only exist in sentences, so sentence practice is where pronunciation becomes speech.